This may not be news to many people, but I recently found out that Kansas City has its own version of the Giralda of Sevilla. The Giralda was originally a minaret constructed by the Almohad dynasty during the late 12th century and was part of the Great Mosque of Sevilla. Following the Castilian conquest of the city in 1248, the mosques was transformed into a cathedral and the minaret was re-purposed as a bell-tower.
This structure has inspired many imitations across the world, including one in Kansas City. Its reflects the Spanish Colonial Revival Style, a phenomenon that witnessed the construction of buildings in the United States that were modeled on medieval and early modern Spanish styles. In 1967, the association between Sevilla and Kansas City was formalized when the cities became Sister Cities. For more on the history of this structure in Kansas City and the plaza where it’s located, see https://www.visitkc.com/2017/06/27/today-i-learned-history-behind-country-club-plaza
The Alcazar (from the Arabic al-Qasr meaning palace) is the royal residence of the kings of Spain. The Alcazar is considered a World Heritage Site, like many other extraordinary pieces of architecture in Spain, and is magnificent to behold. It is one of Spain’s lesser known sites, since most visitors often consider the Alhambra in Granada or the Mezquita-Catedral in Cordoba to be more significant. However, the Alcazar is not only an amazing piece of work in its own right, but even rivals the Alhambra as a palace. The palace is built almost entirely in Hispano-Muslim style and, in many ways, resembles the Alhambra. Thus, there is a natural tendency to assume that this was a palace built by and for Muslims. This is both right and wrong. Yes, the palace was initially constructed in the taifa period and served as the royal residence of the Banu ‘Abbad dynasty, whose most famous son was al-Mu’tamid (the poet-prince). However, in its current form, the building was commissioned by a Christian king, Pedro I of Castile, in the late fourteenth century. Pedro (or Peter) hired a number of Muslim artisans and architects from among his own population in the kingdom of Castile, but also some from the Nasrid kingdom of Granada, to work on the palace. Interestingly, some of the very same artisans who worked on constructing and beautifying the Alhambra were also those who worked on the Alcazar, hence the similarities. Also worth noting is that Pedro I was a close friend and ally of Muhammad V, the Nasrid sultan who commissioned the major parts of the Alhambra palaces(Patio de los Leones, etc.) which have become the hallmarks of the structure. The building itself also integrates northern Spanish influence. As such, the building itself–in addition to underscoring the power and legitimacy of Pedro I–is also a demonstration of the medieval Spanish cultural co-production in which various medieval Iberian Christian, Jewish and Muslim cultures interacted with one another and formed different parts of a unique whole.
The following is excerpted from the monumental biographical dictionary entitled Siyar A‘lām al-Nubalā’ by the fourteenth-century Damascene historian and hadith expert Shams al-Dīn Muhammad b. Ahmad al-Dhahabī (d. 748/1348). It provides some insight into the reign of Abū’Abd Allāh Muḥammad ibn Yūsuf ibn Hūd al-Judhamī (r. 625–635/1228–1238), an Andalusi emir who eventually established his control over much of al-Andalus in the early 13th century following the weakening of the Almohads. It describes the great hope in al-Andalus that accompanied his rise to power and the impact that the crushing defeat he suffered at the hands of Alfonso IX of León (r. 1188–1230) at Mérida had upon undermining his legitimacy. It ends with a short note about the rise of the Nasrids in Granada and an anecdote about Ibn Hūd’s nephew, the mystical philosopher Badr al-Dīn ibn Hūd (d. 700/1300), who al-Dhahabī claims to have met in Damascus.
Following the collapse and disintegration of the Umayyad Caliphate of Cordoba during the civil wars of 1009–1013, al-Andalus fragmented into about 20-30 kingdoms known as the party kingdoms, reyes de taifas or mulūk al-tawā’if. Some of these emirates, such as the Taifa of Silves, were little more than self-governing city-states while others, such as the Taifa of Seville, controlled large swathes of territory. Although there were three Taifa periods—the first from 1010 to 1110, the second from 1144-1172, and the third from roughly 1220 to 1270—I will be focusing this post on the first Taifa era, which is what scholars usually mean when they refer to the “Taifa Kingdoms.” I thought it would be useful to simply lay out the names and ethno-tribal origins of the ruling families of the various Taifa kingdoms in order to demonstrate the complex political situation that had arisen in 11th-century al-Andalus. Although the question of “ethnicity” is certainly a troublesome one in the medieval period (not least in al-Andalus!), the concepts of “Berber,” “Arab,” and “indigenous Iberian” (muwallad) were all deployed and utilized by various factions in the Taifa kingdoms during the 11th century. Rather than attempt any major analysis (I’ve provided a list of further reading for those interested in learning more), it seemed like a good idea to clarify the tribal and “ethnic” background of each of ruling families of the Taifa kingdoms.